Star Trek and Red Shirts

I watched Star Trek Beyond last night. No, I’m not the most up-to-date movie fan. I did manage to see the first Star Trek reboot film in a theater (where it was breathtaking). I watched Star Trek Into Darkness on TV. I watched Star Trek Beyond on my Fire, because it’s just come available on Amazon Prime. (I also have all the original series and Next Gen movies on my DVD shelf).

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I enjoyed Beyond. The movie had some humor, LOTS of action and explosions, people in red uniforms lying dead in corridors, fabulous CGI and special effects. Exactly, I suspect, what the movie makers were aiming for and what the audience wanted. There was even a sweet tribute to the late (and so very much lamented) Leonard Nimoy (Spock was always my favorite). Early in the movie, young Spock is disturbed by the news of Ambassador Spock’s death. Near the end, young Spock receives a box of Ambassador Spock’s belongings; he opens one intricate container to find a picture of the bridge crew from the original timeline.

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As much fun as the reboot movies have been, I still can’t quite see Chris Pine as Kirk. Karl Urban comes a little closer with McCoy—he has the acerbic wit and says what he thinks. Zachary Quinto comes closest as Spock—he does the mannerisms well, and he’s physically believable.

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But as much as I love a good alternate timeline story, as much as I’ve enjoyed the reboot movies as visually stunning space opera, I still have a hard time seeing them as “real” Star Trek.

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And now back to books: If you’ve ever been a Star Trek fan, the title of John Scalzi’s RedshirtsRedshirts says it all. Well, maybe not all, because the minute you (and the five newest crew members on the good ship Intrepid, flagship of the Universal Union, or Dub U) think you have it figured out, the story takes off in some new direction. I’m not going to give away much, because I love being surprised by a story, and this one bounced me around but good.

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The Trek universe redshirts were the extras who went on away missions with the regular cast. Guess who got killed. Often for no apparent reason, except to lead into a commercial break. No matter how much you enjoyed the Trek franchise, didn’t you ever suspect that the “science” side of the science fiction equation made no sense at all? And what about all those other people on the ship (three hundred or so on the original series, over a thousand on Picard’s Enterprise, at least 150 on Voyager)? What the heck were they doing in all those labs and on all those decks that we never saw?

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Redshirts is full of the most surprising answers to questions like that, sending up the whole SF TV genre from the inside (and with great love and respect). It won the Hugo Award for Best Novel in 2013, and it’s one of the most entertaining (and funniest) books I’ve read in a long time. My appreciation for John Scalzi rises another notch.

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It’s been fifty years now, hasn’t it? I still love Star Trek, old and new. Bring it on.

John Scalzi’s Fuzzy Reboot

Several years ago when I heard that John Scalzi had published Fuzzy Nation, a retelling of H. Beam Piper’s much loved 1962 classic Little Fuzzy, my first thought was Why? My second thought was No Thanks.

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Little Fuzzy and its 1964 sequel The Other Human Race (published together as The Fuzzy Papers) have remained on my keeper shelf for decades and multiple readings. Although Piper wrote numerous novels and short stories between 1947 and 1964, influencing many of the science fiction writers who came after him, he is probably best remembered for his Fuzzy tales. Other authors stepped in after Piper’s 1964 suicide and wrote Fuzzy sequels, which were knocked out of Piper’s time line by his own third Fuzzy novel, Fuzzies and Other People, discovered long after his death and published in 1984. (That one is on my shelf, too, along with The Complete Paratime, Piper’s Paratime Police/alternate timeline series.)

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Recently, though, I’d heard so much praise for Scalzi’s work that I picked up his latest novel, The Collapsing Empire, from the New Book kiosk at my local Half Price Books. Fuzzy NationLooked interesting, so I went back to the science fiction section to see what else they had and found a copy of Fuzzy Nation. Well, why not, I thought. If I hate it, I don’t have to read it.

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I didn’t hate it. I loved it.

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In his author’s note, Scalzi calls Fuzzy Nation a reimagining of Piper’s story, a “reboot” not unlike the recent Star Trek movies. I’ve enjoyed those, despite being a Trek fan since the premier of the original series. And I hadn’t read Piper’s stories in at least twenty years (so little time, so many books on my To Be Read shelves, and on my Kindle, and on my Keep To Reread shelves, and people keep writing new ones).

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Fuzzy Nation is indeed a reimagining of the story. It does begin with prospector Jack Holloway discovering a huge seam of sunstones on the apparently uninhabited planet Zarathustra XXIII. And Jack Holloway does indeed meet a family of Fuzzys (Scalzi’s rebooted spelling), adorable, clever, cuddly creatures vaguely resembling large bipedal cats. And Scalzi’s story, like Piper’s, revolves around the question of Fuzzy sentience. If the Fuzzys are people, Zara 23 will no longer be an uninhabited planet, and all the rules for its exploitation will change.

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Scalzi’s Holloway isn’t quite the same person as Piper’s, nor are Scalzi’s Fuzzys, not that they’ve lost any of their intrinsic charm. The supporting cast is completely different, the characters more developed than Piper’s. Not to mention Holloway’s amiable dog, Carl, who lets the Fuzzys into the cabin through his doggy door (when he’s not setting off explosives on command).

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Scalzi has also brought the sensibilities and technology of the story up to date. A lot has changed in the last fifty years, from computers to ecological awareness. He has also added at least two more sentient species to the story (although we don’t meet them), along with the warning story of a possible third which was exterminated before its existence could disrupt the exploitation of its world.

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If you read Piper’s Fuzzy stories back in the day, don’t be put off by Fuzzy Nation. Scalzi’s love and respect for the original is clear, and the book was written with the approval of Piper’s literary estate. If you’ve never even heard of Piper (alas, sadly possible these days), you need no prior knowledge to enjoy Fuzzy Nation.

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I liked Scalzi’s approach and style so much that I ordered a copy of his 2013 Hugo Award winning novel, Redshirts. I mean, how could an old Trek fan not love that title? I’ll keep you posted.