Susanne Alleyn: Medieval Underpants and Other Blunders

If you write historical fiction, you need Medieval Underpants and Other Blunders, Susanne Alleyn’s “Writer’s (& Editor’s) Guide to Keeping Historical Fiction Free of Common Anachronisms, Errors, & Myths.” If you read historical fiction, if you’re a history buff, you will enjoy this voyage into everything that goes wrong in writing about the past.

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medieval-underpantsUnder General Rule #1, Never Assume, Alleyn discusses underwear, geography, dialog and slang, British vs American English, foreign phrases, what Alleyn calls “presentism,” that is, inserting modern attitudes into historical situations, first names, and introductions.

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Why didn’t most women wear underpants until fairly recently? What do the modern British mean by “pants”? Why doesn’t fall follow summer in Britain? What’s the difference between “arse” and “ass”? When should your characters call each other by their first names? Who should be presented to whom, and why?

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General Rule #2, Wikipedia Is Your Friend, gives a starting point for basic research on food, plants, and animals (Old World vs New World), names (all the way back to ancient Rome), and guns.

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Where did dandelions come from, and when, and why? What plants and animals had Europeans never seen before the sixteenth century, and when did they make their way into widespread use? What does anybody mean by “corn”? What plants and animals had pre-contact American Indians never seen? What’s the difference between a pistol and a revolver? Between a musket and a rifle?

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Under General Rule #3, Do Not Borrow Your Period Details & Information From Other People’s Historical Novels and Movies, Alleyn discusses unnamed novels, Braveheart (Wallace never wore a kilt, and as for that French princess, forget her), several versions of A Tale of Two Cities (even Dickens flubbed a few details when he wrote historical fiction), money, English aristocratic and royal titles (with examples from Dorothy Sayers’ Lord Peter Wimsey’s family and Downton Abbey,), lighting, and travel (historically very slow).

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What was money really worth, and what would a sou buy? How many farthings made a penny? How many shillings made a crown? A pound? A guinea? What’s the difference between John, Lord Throckmorton and Lord John Throckmorton? Between a marquess and a marquis? Why is an earl’s wife a countess?

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General Rule #4 is Don’t Just Swallow the Propaganda, Cliches, and Myths. The English and French versions of the French Revolution (Alleyn’s specialty) were very different. This section also includes hygiene and cleanliness, table manners, physical stature, teeth, servants and housekeeping, cafes and coffeehouses, doorknobs, glass and pottery, paper, pens, and pencils, restaurants, rubber and elastic, stirrups, telephones, window screens, and finally death and burial.

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Why did Renaissance doctors discourage bathing? What was the etiquette of eating with one’s fingers, and when did forks come into use? How tall was Napoleon, really? Why were servants more necessity than luxury, and why was being a servant a good job? What’s the difference between a house maid and a parlor maid? How did execution by guillotine proceed? What was life really like in the first half of the twentieth century? When was the fountain pen invented?

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Alleyn includes a final section on research, with several pages of references, broken into time periods, covering ancient times to 1950.

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Even if you are writing about a time and place far removed from Alleyn’s specifics (mostly France, England and North America), her topics and information will give you insight into the details you should be researching rather than assuming. Even if you are building your own world of fantasy or the future, these are details you need to consider.

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And if you are reading the book for entertainment, there is so much interesting material here, and more than a few mysteries solved.

Two Historical Novels

Recent reading: two historical novels loosely based on the lives of real American women.

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I stumbled across Thelma Adams’ The Last Woman Standing by chance and thoroughly enjoyed it. Adams has taken what little is known of the life of Josephine Marcus Earp (and much of that is hazy and/or disputed) and the-last-woman-standingwoven a fascinating tale of her meeting and falling in love with the legendary Wyatt Earp. It’s no spoiler to say that Josie (or Sadie, as she was also known) and Wyatt remained together for nearly fifty years, until his death, for Josie tells that story herself in the first chapter.

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When Josie leaves her humble Jewish home in San Francisco to marry a man she met in Tombstone (when she spent a brief time with a traveling theater troupe), she finds her fiance unreliable, and Wyatt Earp irresistible. A great deal happens in the next year or so (1881-1882), both in Josie’s personal life and in better known history (remember the OK Corral?), and Josie relates it well.

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The book has not been marketed as a romance—it doesn’t really fit the genre pattern—but romance lovers will enjoy it. So will readers who enjoy historical detail, including some insight into Jewish family and community life in nineteenth century San Francisco and Tombstone.

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The Last Woman Standing isn’t biography (and doesn’t claim to be), but it is wonderful story telling, and lays out Josephine Marcus Earp’s life the way we all might hope it was.

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Lady Cop Makes Trouble is the sequel to Amy Stewart’s Girl Waits With Gun, relating the further adventures of Constance Kopp and her eccentric sisters, loosely based on real people and events. In this second novel, Constance is working as the jail matron while awaiting her official deputy sheriff’s badge, Norma continues lady-cop-makes-troubleher passion for messenger pigeons, and Fleurette has turned eighteen and become a blossoming performer in local theater.

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At the jail in New Jersey, Constance deals with women who may be criminals or victims (in 1915 it could be hard to tell the difference), especially one who seems remarkably happy to stay in jail, even when it appears she could not have committed the murder she’s accused of.

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When a prisoner escapes on Constance’s watch, she throws herself into the pursuit, defying Sheriff Heath’s orders and charging into New York City in search of the criminal. Along the way she stays at a hotel for women, where she meets a lawyer, a reporter, and a filing clerk, and she roams the streets of the city, where she meets much less respectable characters and makes an arrest.

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Lady Cop Makes Trouble is just as entertaining as Girl Waits With Gun. Stewart adds an author’s note at the end separating fiction from fact. I hope we’ll be seeing more of Constance Kopp, Lady Cop.

Natalie Meg Evans’ The Milliner’s Secret

Natalie Meg Evans’ The Milliner’s Secret dragged me in from the opening pages and never let go. As The Milliner's Secretthe novel begins in 1937, Cora Masson works in a London hat factory while trying to avoid her abusive Belgian father. The only thing he’s given her is a working knowledge of French, which she uses to flee to Paris when a near-stranger, German art dealer Dietrich von Elbing, offers her his valet’s seat on the boat train.

That impulsive decision changes her life in ways she could never have imagined. With forged documents, she becomes Coralie de Lirac, turning her back on England and making her way in the cut-throat world of Parisian fashion as a milliner. Working her way up in the trade, Coralie never hesitates to fight for her future, for the people she loves, and, as the war sweeps through France, for survival.

Her complicated, changing relationship with Dietrich von Elbing forms the core of the story. Dietrich’s secrets are deeply buried, gradually peeling away like onion skin. An ace pilot for the Luftwaffe in World War I, the approach of another war draws him back into the military as a respected senior officer. His relationship with Coralie serves to protect her—when it’s not proving to be her greatest danger. Drawn together and driven apart, Coralie and Dietrich move through one another’s lives and through the dangers of occupied Paris.

The backdrop of war mixes with the more intimate world of high fashion and the highly competitive, and sometimes vicious, millinery trade. Even as the Nazi occupation dims the Paris lights, women want their hats, and Coralie often serves French customers in the morning and German officers’ wives in the afternoon. The Milliner’s Secret overflows with fascinating background details about fashion and hats, nightlife, feast and famine.

Evans’ previous novel, The Dress Thief, explored the world of high fashion in Paris in the 1930s, ending before the war reached Paris. Although The Milliner’s Secret is not a sequel, supporting The Dress Thiefcharacters from The Dress Thief reappear in Coralie’s life, sometimes as friends, sometimes as foes, sometimes as both, as well as new characters, some trustworthy, some not.

I don’t want to give away too many details: this is a book filled with surprises best unspoiled. The Milliner’s Secret is one of the most gripping novels I have read in a long time.

Both The Milliner’s Secret and The Dress Thief are available as ebooks from U.S etailers. Paper editions are available (fast delivery and free shipping) from the Book Depository in Great Britain.

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