John Scalzi’s Fuzzy Reboot

Several years ago when I heard that John Scalzi had published Fuzzy Nation, a retelling of H. Beam Piper’s much loved 1962 classic Little Fuzzy, my first thought was Why? My second thought was No Thanks.

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Little Fuzzy and its 1964 sequel The Other Human Race (published together as The Fuzzy Papers) have remained on my keeper shelf for decades and multiple readings. Although Piper wrote numerous novels and short stories between 1947 and 1964, influencing many of the science fiction writers who came after him, he is probably best remembered for his Fuzzy tales. Other authors stepped in after Piper’s 1964 suicide and wrote Fuzzy sequels, which were knocked out of Piper’s time line by his own third Fuzzy novel, Fuzzies and Other People, discovered long after his death and published in 1984. (That one is on my shelf, too, along with The Complete Paratime, Piper’s Paratime Police/alternate timeline series.)

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Recently, though, I’d heard so much praise for Scalzi’s work that I picked up his latest novel, The Collapsing Empire, from the New Book kiosk at my local Half Price Books. Fuzzy NationLooked interesting, so I went back to the science fiction section to see what else they had and found a copy of Fuzzy Nation. Well, why not, I thought. If I hate it, I don’t have to read it.

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I didn’t hate it. I loved it.

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In his author’s note, Scalzi calls Fuzzy Nation a reimagining of Piper’s story, a “reboot” not unlike the recent Star Trek movies. I’ve enjoyed those, despite being a Trek fan since the premier of the original series. And I hadn’t read Piper’s stories in at least twenty years (so little time, so many books on my To Be Read shelves, and on my Kindle, and on my Keep To Reread shelves, and people keep writing new ones).

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Fuzzy Nation is indeed a reimagining of the story. It does begin with prospector Jack Holloway discovering a huge seam of sunstones on the apparently uninhabited planet Zarathustra XXIII. And Jack Holloway does indeed meet a family of Fuzzys (Scalzi’s rebooted spelling), adorable, clever, cuddly creatures vaguely resembling large bipedal cats. And Scalzi’s story, like Piper’s, revolves around the question of Fuzzy sentience. If the Fuzzys are people, Zara 23 will no longer be an uninhabited planet, and all the rules for its exploitation will change.

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Scalzi’s Holloway isn’t quite the same person as Piper’s, nor are Scalzi’s Fuzzys, not that they’ve lost any of their intrinsic charm. The supporting cast is completely different, the characters more developed than Piper’s. Not to mention Holloway’s amiable dog, Carl, who lets the Fuzzys into the cabin through his doggy door (when he’s not setting off explosives on command).

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Scalzi has also brought the sensibilities and technology of the story up to date. A lot has changed in the last fifty years, from computers to ecological awareness. He has also added at least two more sentient species to the story (although we don’t meet them), along with the warning story of a possible third which was exterminated before its existence could disrupt the exploitation of its world.

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If you read Piper’s Fuzzy stories back in the day, don’t be put off by Fuzzy Nation. Scalzi’s love and respect for the original is clear, and the book was written with the approval of Piper’s literary estate. If you’ve never even heard of Piper (alas, sadly possible these days), you need no prior knowledge to enjoy Fuzzy Nation.

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I liked Scalzi’s approach and style so much that I ordered a copy of his 2013 Hugo Award winning novel, Redshirts. I mean, how could an old Trek fan not love that title? I’ll keep you posted.