Dead in the Doorway is the second installment in Diane Kelly’s House Flipper cozy mystery series, set in Nashville. Whitney Whitaker and her 
cousin and business partner Buck have bought a house on Songbird Circle to restore and sell, but their plan hits a snag when Whitney and her cat, Sawdust, find the body of one of the neighbors at the foot of a staircase.
No one on the cul-de-sac liked Nelda Dolan very much, but that hardly seems like a reason to push her down the stairs of an empty house. But what was she doing in the house? Searching for something? The previous owner’s family has taken everything they might want, and their late mother, Lillian, didn’t have much to leave behind, unless you count her recipes for prize-winning pies. There doesn’t seem to be anything else worth looking for—until Sawdust finds a secret hiding place.
Whitney can’t resist a bit of sleuthing between tearing out appliances and re-tiling floors (and she makes that all sound so simple!), and Detective Collin Flynn is pretty hard to resist, too. Between the two of them they’ll surely uncover the secrets of Songbird Circle.
Some Like It Shot is the latest installment in Zara Keane’s Movie Club Mysteries, featuring Maggie Doyle, a one-time San Francisco cop now working as a private investigator on the small Irish island where her father grew up and where Maggie spent summers as a child. Business is slow: her main case involves
searching for a wandering Maine Coon cat. Then an American movie company arrives on the island. Maggie’s younger sister, an online “Beauty Influencer” (yes, apparently this is a Thing, although I have trouble wrapping my brain around it), has landed her first movie role—as the female lead.
Maggie is not thrilled; she and her sister have a rather dysfunctional relationship. But the movie shoot has been plagued with “accidents,” and Maggie and her off-the-wall assistant Lenny are hired to sniff out any possible sabotage. Maggie and her boyfriend, the sergeant in charge of the tiny Whisper Island police station, suspect that most of the accidents were just that, but when there’s a death on the set the danger ramps up quickly.
I really enjoy this series (this is the sixth book) with its mixture of mystery, humor, and small town Irish life (I did have to look up the pronunciation of a couple of names: the Irish clearly have their own version of the alphabet) and I hope there will be many more.
The Study of Secrets is the fifth installment in Cynthia Kuhn’s Lila Maclean Academic Mysteries. As it opens, Lila is winding up her sabbatical from Stonedale, staying in a cottage on the grounds of Callahan 
House, a Victorian mansion associated with Callahan College and now the property of Bibi Callahan. Long ago Bibi published three mystery novels under the name Isabella Dare, and Lila has been researching and writing a book on these nearly-forgotten works, while hoping that Bibi will admit publicly that she is, in fact, the author.
Lila has been organizing Bibi’s study for her, and in a locked drawer she finds the manuscript of an unpublished fourth novel. When one of Bibi’s life-long friends is murdered in the house and the manuscript vanishes, Bibi admits that the novel was a barely fictionalized version of the night when her younger sister disappeared, suggesting that she was killed by one of Bibi’s tight-knit circle of friends during a night of celebration between high school and college.
Bibi never meant anyone to see the manuscript, with its unfounded speculation, but when it gets out, and perhaps causes another death, Lila races to solve the long-ago mystery that appears to be the source of the present trouble.
Lila is still trying to finish her book on Isabella Dare—and find a publisher for it—and she’s also writing a mystery novel of her own, so I hope we’ll see another adventure before too long.
Maclean is a brand new English professor at Stonedale University, trying to get her footing in the other side of Academia, a big change from being a student. But surely walking into a faculty meeting and finding the body of the colleague who has been disparaging her research project and curriculum suggestions is not normal. The violence doesn’t stop there, and somehow Lila always seems to be there, as the detective handling the cases never fails to point out. Throw in mysterious symbols that keep popping up, which no one can—or more likely will—identify, and Lila has her hands full.
Tussel, who is scheduled to appear during Stonedale’s Art Week festivities. But Damon vanishes, and Lila is cornered into recruiting her mother, artist Violet O, into helping her corral Damon, an embarrassing situation, since Violet and Damon are ex-lovers. Oh, what a girl will do to stay on the tenure track.
At the request of Lex Archer, Lila stays (mostly) out of the hunt for the murderer, but there are enough other puzzles to keep her busy. The play is being staged in a deteriorating opera house owned, but not much cared for, by the university and protected by the remarkably officious head of the Stonedale Historical Society. The building not only presents mechanical dangers—what with characters dropping from the rafters and popping up through the trap door, what could go wrong?—but it may be haunted by the ghost of a previous owner, who hanged himself on the stage.
Kay Hudson 