Marie Brennan: Turning Darkness Into Light

One of my favorite science fiction/fantasy series of the last decade (or ever, for that matter) has been Marie Brennan’s Memoirs of Lady Trent, beginning with A Natural History of Dragons in 2013 and ending, alas, with Within the Sanctuary of Wings in 2017. So I was delighted to spot Turning Darkness Into Light last summer.


Why it sat in one of my To Be Read stacks this long I have no idea, perhaps so I’d know I had one more book to read set in Lady Trent’s world, which is like our own in many ways, from its pseudo-Victorian social structures to its vaguely familiar (but strangely named) geography, but totally different in others, most especially the existence of a wide variety of dragons (non-sentient wild animals) and the remains of the ancient and mysterious Draconean civilization.


Turning Darkness Into Light tells the story of Lady Trent’s granddaughter, Audrey Camherst, a philologist studying the clay tablets left behind by the ancient Draconeans. When she is recruited to translate a recently discovered cache of ancient tablets by Lord Gleinleigh, a collector of antiquities and the discoverer of the tablets (and a rather unpleasant fellow), she takes the job against her better judgment: Lord Gleinliegh’s restrictions seem unreasonable and his estate is isolated and unwelcoming. But the lure of previously undeciphered tablets is too much to resist. The project leads Audrey and her allies into misadventure, danger, conspiracy, and revelation.


If you haven’t read the five books of Lady Trent’s memoirs, Turning Darkness Into Light will probably be wildly confusing, not to mention that it is full of spoilers for the earlier books (which is why I’m not going into more detail here). If you have read the series, this book provides many answers to “so what happened next?”


Turning Darkness Into Light is an epistolary novel (something I love), told in the form of diary entries, letters, translations of the tablets, occasional newspaper clippings, and even a couple of police reports. Most of the story is told from Audrey’s point of view, but quite a variety of other characters have a chance to chime in, including Lady Trent herself.


Perhaps I find this series so fascinating because I share a background in anthropology, archeology and folklore with Brennan, or because I love the alternate world premise, or just because I’m blown away by Brennan’s imagination and writing skill, but I highly recommend all six books. One of these years I’ll have time to reread them all (paper copies on my keeper shelf) without the year or two wait between volumes.

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