Keeping Up with TV

I shouldn’t even be thinking about keeping up with TV.  I have writer friends who’ve sworn off the Box completely, and I’m sure they get a lot more writing done than I do.  I have other friends who insist that they are studying story structure and characterization when they watch.  Both approaches are valid, I’m sure.

I tend to be a loyal viewer myself.  If the promos and trailers for a new show interest me enough, I’ll watch the pilot, and if I like that, the show will probably keep me.  Not always.  I realized last year that I had more episodes of Smash on my DVR than I had actually watched, and I didn’t care about losing them when the DVR died.  I abandoned The Mentalist when I got really, really, REALLY tired of both Red John and Patrick Jane’s behavior.  There have been others.  But usually, once I start watching, I’ll stay around.  Heck, I’m still watching Glee, if only for the music.

I would tell you that I don’t care for violent shows, but I’m a history geek, big fan of Hell on Wheels, and I haven’t missed an episode of the History Channel’s Vikings, an even more violent series, but beautifully filmed and full of interesting characters (especially Lagertha, the kick-butt Shield Maiden wife of the protagonist).

I’m cautious about what I do start watching.  There are any number of light mystery shows on the air (or on the cable) that I have avoided simply because I don’t want to tie up yet another weekly hour. (I do watch Bones, Castle, White Collar and Rizzoli & Isles.).  The same goes for many of the series on SyFy, although I’ve been a science fiction fan forever, loved all the Star Trek and Stargate series (well, some more than others, but still . . .).  I watch Grimm and Once Upon a Time, both of them more fantasy than science fiction, but very entertaining.

Somehow the promos for the new SyFy series Defiance stayed under my radar until a couple of weeks before its premiere, when I noticed an ad on line.  The show promised several elements I enjoy, but I wasn’t sure.  I still feel a bit burned over Terra Nova (time travel! dinosaurs! Jason O’Meara!)–I hate falling for a show that doesn’t make it to a second season.  And I missed the initial showing of the Defiance premiere.  Couldn’t record it because I still haven’t gotten around to replacing my failed DVR.  Missed a convenient showing in favor of a really lovely dinner, and found myself tackling the two hour show at midnight on Friday.  Well, I figured, if this could keep me awake until 2 AM, it was worth a commitment.

Defiance is worth it and then some.  It is, truth be told, in large part a repositioned Western, set thirty years or so in the future of an Earth changed forever by the arrival of no less than seven alien races and their out-of-control “terraforming” (inaccurate use of the term, but we’ll overlook that for the moment).  The protagonist is the loner (although he’s accompanied by his adopted alien teen-age daughter) who wanders into the frontierish town of Defiance (formerly St. Louis, see the Arch over there?) just in time to see the old sheriff die in action.  Yep, pardner, Nolan is drafted/trapped into becoming the new “Lawkeeper.”

The show is full of Western and SF tropes, CGI effects, more or less humanoid aliens, gritty and sometimes spectacular scenery.  There’s the inexperienced (female) mayor, her sister the brothel owner, the patriarch of the mining family (played by Graham Greene, long a favorite of mine), the alien mob boss and his wife (played by Jaime Murray, formerly H. G. Wells on Warehouse 13), who spend an inordinate amount of time in their hot tub, a Romeo and Juliet sub-plot, an acerbic and funny alien female doctor, and lots of disintegrating ships tumbling out of orbit and causing ever weirder changes.

I love it, and the second episode was just as good.  Oh, dear, another commitment.

What shows keep you watching, even when you should be doing something else?

The Searchers Revisited

This morning the Houston Chronicle ran an article on a new book, The Searchers: The Making of an American Legend by Glenn Frankel. Long before I’d finished reading, I knew I wanted the book.  A few minutes on line told me that my local Barnes & Noble store had copies, and I reserved one to pick up tonight on my way home from work.

Although this blog is mostly about reading, writing, and the adventures of everyday life, an amazing number of my visitors wander in here looking for something related to the TV show Hell on Wheels, and I don’t think a day passes without at least one reader landing here after searching for Cynthia Ann Parker.  (WordPress keeps track of such things.)

So I know some of you share my interest in Texas history and old movies, and this book deals with both.  Frankel The Searchersopens with the story of Cynthia Ann, taken by the Comanche at the age of nine or ten, living with them for twenty-five years, marrying, and bearing three children.  Forcibly returned to “civilization,” Cynthia Ann died a sad and lonely death but also became a legend.

Part two goes on to tell the story of her son Quanah, the last great Comanche chief, who led his people into the twentieth century.  The third section deals with Alan LeMay and his novel, loosely based on Cynthia Ann’s story, and the fourth on the making of the movie.

I’ve seen The Searchers and have the DVD on my shelf, and I’ve read the original LeMay novel, also on my shelf.  I won’t post spoilers of either, but I will say that while the first half of the movie follows the first half of the book closely, the second halves diverge considerably.  As a writer, I’m interested in that story, too.  Now all I need is a little more time to read . . .

There’s been much discussion lately, in this age of electronic marketing, of the process of book discovery.  How does a reader find new books, new authors?  Are the virtual shelves of amazon or Barnes & Noble as “browsable” as those of a brick and mortar bookstore?  Interesting question, and one I’ll talk about another time.  But this book I found in my morning newspaper.

Happy reading!

 

 

 

Farewell, Lily Bell

I’m still reeling from the finale (season? series?) of Hell on Wheels Sunday night.  If you haven’t seen it, and mean to, you may not want to read this.  There Will Be Spoilers.

The writers of Hell on Wheels have never pulled their punches, and they certainly didn’t start doing so in Blood Moon Rising, the last episode of the second season.  They burned the town to the ground, and they killed people.  Important people.

When Mr. Toole, Eva’s husband, trailed her to Elam’s cabin (where she was in fact telling Elam that she had decided once and for all to stay with Toole) and waved his gun around, I fully expected him to take a shot at Eva or Elam.  I didn’t expect him to blow his own head off, but that’s what he did.

When Cullen marched Gundersen out to the middle of the bridge to hang him, I expected Gundersen to make one last insane speech.  I didn’t expect him to jump off the bridge, robbing Cullen of his personal vengeance, but that’s what he did.

The real shock, though, was the murder of Lily Bell.  I watched in disbelief as the odious, mad Gundersen strangled her.  I held my breath, waiting for Cullen to burst through the door of the railroad car and save her.  But he didn’t.  My first reaction, after the disbelief, was that I’d never be able to watch the show again.  But the more I thought about it, the more sense it made.  I still don’t like it, but I understand.

As a viewer who always enjoys a good love story, I was crushed by Lily’s death.  She and Cullen were just discovering each other.  Did they have a chance at happiness together?  We’ll never know.

As a viewer of the female persuasion, I was angry.  We don’t have enough strong, competent, complex female characters on TV to throw one away lightly.

But as a writer, I gradually had to admit to myself that Lily’s death was a logical step in the story.  Hell on Wheels was never Lily’s story, or Eva’s, or Ruth’s, as much as the women fascinate me.  It’s a story of power, corruption and redemption, honor, treachery and vengeance, and its central focus is Cullen Bohannon.  It’s certainly not a romance, and Cullen is not a hero.

But he is the protagonist, and the story has followed his choices, many of which have been dreadful.  Is he seeking redemption, or running from it?  Hard to tell.  He’s badly flawed, deeply damaged, and he knows it.  He’s afraid, he tells Mr. Toole, that Lily won’t even like him once she really gets to know him.  In a romance novel, the love of a good woman would redeem a man like Cullen,  but not in a story like Hell on Wheels.  This is not a story about happy endings.

I don’t know if Hell on Wheels will be back next summer for a third season.  As I watched the end of Blood Moon Rising, I wasn’t even sure I wanted it to.  But after thinking about it for a couple of days, I’m hoping it returns.  I want to know what happens next to the Durants, Eva and Elam, Ruth and her church, Sean and Mickey and the rest.  I’m not entirely convinced that Gundersen is dead.  And I want to watch Cullen Bohannon drive the railroad west.

 

 

 

 

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